THE FLY

Emiliana Torrini

St Giles Church, London
9/10/08

5
09 Oct 2008



 

Emiliana Torrini

St. Giles Church,

London

9/10/08

 

“You have ticket?” asks a young French lady, optimistically milling around the entrance to St. Giles Church in advance of Emiliana Torrini’s sold out

London
show. I do indeed “have ticket” Mademoiselle, but I’m keeping it firmly on my person – under no circumstances am I going to miss this event. As I progress in to the church, the girl calls after me; “Enjoy…” she intones, graciously. She’s evidently gutted I didn’t sell her my ticket, but still wants me to have a good time. Very polite.

 

In fact, politeness is a staple quality of Torrini’s exceptionally dedicated fanbase. There are plenty of reverential young couples here tonight, gazing wistfully at each other in hushed anticipation throughout the moments preceding Torrini’s entrance.

 

When their idol finally enters, a huge ovation engulfs the church before she even steps towards the microphone. Torrini looks very happy indeed…she knows, as we know, that this is going to be a special evening.

 

At this point, it’s worth noting that Torrini’s band is the best supporting cast heard in some time. The musicianship is magnificent; her back catalogue masterfully translated to the live arena whilst retaining its hushed, intimate quality.

 

Torrini’s kooky Scandinavian inter-song banter translates well, with a noticeable rapport quickly developing between performer and audience as the set progresses. I become convinced that most people here would gladly watch this woman fart in to the microphone for two hours, such is the devotion on show tonight.

 

Showcasing tracks from new album Me And Armini alongside long-standing fan favourites from 2005’s exceptional ‘Fisherman’s Woman’, Torrini moves expertly from her customary acoustic lullabies to brisk jaunts such as the fantastic ‘Jungle Drum’ with consummate ease.

 

These are wonderful songs, beautifully performed in a stunning venue…it doesn’t get much better than this.

 

James Hannam

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