V Festival

Aug 19 2008 11:24 am,

3.0

V Festival

V Festival

Hylands Park, Chelmsford

16/08/2008

 

Things start off well at V Festival this year. Royworld aren’t the coolest band on the planet and, seeing as they’ve just been dropped by their Virgin label, the quartet can be forgiven for lacking spark. But the strength of their songwriting remains undeniable. Then there’s The Futureheads who have written a few catchy numbers of their own. Like a mix between The Proclaimers and The Jam, though, they’re a bit raw for this time of the early afternoon. “Everybody needs to get loose,” they encourage from the stage, but the intent is wasted on an audience setting up deckchairs and drinking wine. Climbing out of their TARDIS, Shed Seven do manage to get the crowd going. And they may be a pair of flares in a universe of skinny trousers, but ‘Chasing Rainbows’ obviously still does the job – there’s a seven year old dressed in Armani trousers enjoying the song as much as his Dad. The Hold Steady draw a much smaller audience. Softie ‘Lord, I’m Discouraged’ is heart-melting, but generally Craig Finn’s boyish enthusiasm struggles to make it across the vast gap between stage and crowd. LostProphets have no such problems. They may have expected the mainstream V festival to turn its nose up at their relatively heavy racket, but Ian Watkins has turned into the best frontman in the world and he leads the huge crowd through a forty-five minute singalong. The Kooks struggle by comparison and Luke Pritchard looks nervous. He announces that Ray Davies will be joining them on stage. A woman in the crowd looks pleased, until her mate sets her straight. “Ray Davies not Craig David,” she says. The guest appearance has little impact, and Kinks song ‘ Victoria’ goes down like a lead balloon. Once over, Pritchard – in some misguided attempt to follow-up LostProphets’ ability to control their audience – makes the huge mistake of telling the crowd to sit down. “We won’t carry on until you do it,” he says, but of course when everyone stays standing, he’s forced to. On the outside, The Kooks may be singing brilliant songs like ‘Naive’ and ‘Sofa Song’ but tonight those anthems are drowned out by the noise of their singer’s insecure inner self screaming, ‘Help me!’ Unfortunately, V Festival’s not the kind of place to be looking for that kind of support. Not that Muse would ever need a rub on the back before going onstage – the trio have long obliterated all before them when it comes to playing live and they press home that point with some trademark interplanetary-literalness as six giant satellites light up, firing giant spotlights into the crowd and generally looking like they’re about to turn 60,000 people to dust ala War Of The Worlds. Then, Matt Bellamy & co. suddenly appear in the middle of the stage and the techno-rock of ‘Map Of The Problematique’ kicks everything into gear. The Armageddon electro-stomp ‘Supermassive Black Hole’ comes next, complete with the sight of a marching robotic army beamed onto the screens and satellites, whilst the highlight is saved for the bloody, brilliant climax of ‘Knights Of Cydonia’. Best band of the day by a mile, and they barely even broke a sweat.

 

Johnny K / Niall Doherty

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Comments

Robert - 2008-08-19 15:00:09
i have a napkin made of fluff which suckles at the teat of peanut butter sheepdogs. my television is on fire but it can be put out by cheetahs if they have the appropriate flame retardant overalls and a working extinguisher.
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